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Chapter 3: The Geometric World of Spiritual Symbols
Section 1: The Geometric Origin of the Yi Gua
Section 2: Cultural Positioning and Scientific Perspective of the Yi
Section 3: Taiji Merkaba of Platonic Solid Nesting
Section 4: Hyperlink beyond Civilizations
Section 3:Taiji Merkaba of Platonic Solid Nesting
1. Tetrahedron Star
A tetrahedron star is composed of two regular tetrahedrons, one with its apex pointing downwards and the other with its apex pointing upwards, nested within each other. Inside this structure is a regular octahedron, while the yin-yang tetrahedrons or the entire tetrahedral star can be nested inside a regular hexahedron. Therefore, a tetrahedral star directly contains three regular polyhedra (the fire-earth-wind dodecahedron, hexahedron and octahedron) among the five Platonic solids representing earth, water, fire, wind and space.
The dodecahedra (12 faces) and icosehedra (20 faces) are dual to each other. They intersect at eight points that divide each edge into equal parts on a regular hexahedral plane. This corresponds to SRT tricycles projected onto an SRT sphere for both shapes respectively; they can also be nested inside a regular hexahedron.(Figures 3.6、3.7、3.55、and 3.56). Thus an SRT dimensional four-faced star actually implies all five Platonic solids.
In ancient Egypt and Jewish mystical philosophy, this shape was called Merkaba which means "chariot" or "throne". The word MerKaBa consists of three syllables:
Mer means "light"
Ka means "spirit"
Ba means "body"
It refers to the "light" that carries the spirit and body. From an energetic perspective, both spirit and body are different levels or states of this "light". Merkaba is the geometric structure of this energy, abbreviated as MKB.
The hexagram (Star of David) is a 2D projection of a static Merkaba. The same planar version also appears in Yantra86 symbols in ancient India and has evolved into various Mandala 87symbols representing the universe. It describes the most basic Heart Chakra88 energy system within human beings when they meditate on it during their practice. Based on this foundation, humans develop into complete physical, mental and spiritual beings like seeds growing into trees; they are all manifestations of the same energy structure at different scales - microcosmic merkabas or macrocosmic ones. Just as physicist Richard Feynman imagined that the entire universe was an electron operating with one fundamental energy structure from small to large scale, religion, mystical experiences and even philosophy have been dreaming about similar things since ancient times. Their dreams are expressed in different forms using geometrical language: sometimes primitive symbolic totems with mythological colors; sometimes geometrical symbols for religious or non-religious spiritual practices (such as hexagrams, crosses or swastikas); sometimes pure geometry combining religious mysticism with scientific philosophy like Pythagoras did; sometimes cosmic mathematical geometry based on Yi Jing Tai Chi Bagua.
Two-dimensional static Merkabas and their various variations have long been known and used in various fields of human culture. Its three-dimensional version is a tetrahedral star composed of yin-yang regular tetrahedrons nested together. If these tetrahedrons rotate around each other according to Fibonacci's ratio sequence, then it becomes dynamic Merkaba light-body which is also called Tai Chi MKB sphere - the most fundamental structure of the physical body. When consciousness is always focused on the relatively dull material world, the light-body becomes invisible or even stops rotating and is limited to a static tetrahedral star in three-dimensional space. In other words, it is a life form with a Tai Chi that has temporarily stopped rotating or rotates extremely slowly. If Merkaba awakens! It comes alive! And people receive spiritual enlightenment suitable for their current state of mind and body, then its existence will gradually approach more refined levels and closer to reality like peeling an onion or opening Russian dolls layer by layer. For humans, the most obvious change is the loosening of fixed dimensions (three-dimensional space or four-dimensional spacetime) and further transformation between different dimensions - simply put: traveling between different dimensions. Modern explanations of Merkaba generally describe it as a kind of light carrier (a vehicle of light) that can carry individual spiritual consciousness or even physical bodies to travel between our three-dimensional world and higher dimensions, from a functional perspective. This is similar to the description in Taoism of the emergence of Yin Shen and Yang Shen, or in Tibetan Buddhism with Rainbow Body and Rainbow Transformation. From the perspective of microvita as a basic element shared by mind and matter, microvita moves through the universe using light as its carrier, while physics describes this "light" as projected in 4-dimensional spacetime. Exploring and practicing Merkaba may help us understand the mysterious connection between individual life and the entire univese.
Figure 3.53: The corresponding ratio of the two adjacent numbers in the Fibonacci sequence to various musical scales and MKB light bodies at different levels in the body-mind energy system, including chakras and dan balls. See Figures 4.2 and 4.3.
Figure 3.54: Comparison between the Fibonacci sequence tending towards the golden ratio φ, BC universe cycle evolution, Yin-Yang of Yi Jing, Five Elements (Cakra), and musical scales.
The mathematical symbol for the golden ratio φ represents a supreme point. The Yin-Yang ratio of adjacent numbers in the Fibonacci sequence is equivalent to that of Yin Four Gua Tetrahedrons and Yang Four Gua Tetrahedrons inter-rotating with each other; this creates corresponding Cakra or Dan ball light bodies based on this inter-rotation rate. For example, taking Fire (Light) element from Li Gua as an example, it corresponds to E note on navel chakra scale with a clockwise rotation rate of 21 times for Yin side and counterclockwise rotation rate of 34 times for Yang side; this creates a navel cakra dan ball light body which directly relates to digestive system as part of our bodily thermal factory within Three Dan System in Taoism where Lower Dan Tian is associated with material energy most closely related to physical light we understand today according to physics theory; Yang Four Guas represent electric field while Yin Four Guas represent magnetic field (Yin-Yang gua refers to yin-yang order among hexagrams rather than conventional yin-yang gua used in Zhouyi).
BC universe cycle evolution, human body-mind energy system, Five Elements (macrocosm), microcosm are all linked together through Fibonacci sequences connecting musical scales and Yin-Yang Yi Jing so as to tend towards returning back into one's own center toward ultimate reality within Universe. This is the theoretical situation. However, in terms of human microcosm, due to ongoing evolution process, there will be certain differences between actual and theoretical geometries which are reflected by evolutionary history of life structures (see Chapter 4 Section 2 "Theoretical Human Microcosm" and Figures "Cakra Grid Musical Scale" and "Eight Trigrams Merkaba").
12tET (Twelve-tone equal temperament) shows that there exists a half-step between 3E-4F and 7B-8C within the eight cakra system; while 16λ represents blocking effect for half-step as well as middle Yin emptiness for F# between FG. These two scales correspond to Lambdoma matrix (Figure 1.20), where former refers to frequency of musical scale with time attribute (Lambdoma string length fraction) while latter refers to vibration wavelength with space attribute (Lambdoma string length multiple).
There are two different scales for describing universe meridians: one-dimensional spacetime virtuality corresponding directly to these two scales shown in this figure. During early stage of universe expansion when matter began moving towards center from α point, CMBR cosmic microwave background radiation was formed through Doppler effect from extremely small wavelength into λ=7.23cm today; this λ wavelength maintains dynamic changes over time course of Universe until later period when it returns back into its original state at an extremely small size during centripetal return phase. In terms of overall centrifugal-centripetal movement within Universe's mind-heart system, minimum wavelength occurs at α material point while maximum occurs near △s; this reflects basic structure of Universe energy geometry represented by Taiji Merkaba sphere-ring body using this scale based on Φ rather than Fibonacci sequence tending towards Φ.
Finally, correspondence between central meridian in both macrocosmic and individual levels does not match completely; this is due to Universe evolving through self-similarity. In theory, only when individual reaches ultimate state of evolution will there be complete match between individual and Universe without any difference; this is the sole goal of spiritual development. Therefore, it's necessary to pay attention to differences in central meridian at different levels within BC cosmos, Brahma Cakra, Taiji Merkaba and human microcosm. In fact, it's these differences that create imperfect symmetry in manifested world which originates from nature of mind-heart constantly fluctuating between two poles while existence of world results from universe mind-heart moving towards material point (Kun pole).
Corresponding with 64 Gua: C# Lin Cui; D# Ge Kui; F# Yi Heng; G# Jie Tun; A# Jie Meng.
A tetrahedral star MKB contains the entire Platonic solid. This is achieved by nesting five Platonic solids together through the tetrahedral star Tai Chi MKB (the eight vertices of the tetrahedral star correspond to the eight vertices of a regular hexahedron). The nesting pattern can be represented as Earth 6 (Fire 4, Wind 8) or Earth 6 (Water 20, Void 12), which is equivalent to Earth 6 (4,8,12,20); in other words, a regular hexahedron nests four other regular polyhedra within it. The SRT white-red-black edges of the Tai Chi MKB formed by yin-yang positive tetratetrahedrons made up of fire element (light) project onto an external sphere with Tai Chi at its center and onto which they cast their shadows; this sphere represents three continuous rings (polyhedra with eight faces, twelve faces and twenty faces respectively; among them only those projections from non-continuous octahedrons are hidden within these rings) and three discontinuous rings (polyhedra with four faces and six faces respectively), making nine rings in total.
This spherical Tai Chi Merkaba consisting of nine concentric circles is identical in form to the "six-hole pottery ball" found at Xuejiagang culture site dating back over five thousand years ago during late Neolithic period. This once again confirms that Tai Chi Bagua and Tetrahedral Star Merkaba are two sides of one coin known as "Tai Chi Merkaba". In other words, spherical Tai Chi Merkaba created using SRT white-red-black trigrams along with Tetrahedral Star Merkaba and Octahedral Bagua reflect the sequence of gua order on silk books: Qian-Gan-Kan-Zhen for upper yang gua corresponding to tetratetrahedrons with yang polarity, and Kun-Dui-Li-Xun for upper yin gua corresponding to tetratetrahedrons with yin polarity; the four axes of symmetry of the lower gua correspond to tetrahedral stars Qian-Kun-Gan-Zhen, Gan-Dui-Kan-Li, Kan-Li-Qian-Dui, Zhen-Xun-Gan-Kun. This indicates that silk books and their mirror image Jing Fang's Eight Palaces Gua are consistent in terms of Bagua development. They respectively represent the time sequence and spatial distribution of Tetrahedral Star MKB's eight trigrams. Just as it is impossible to know both speed and position at the same time, culturally speaking people tend to focus on one aspect when measuring them separately. This has led to different developments in human consciousness along temporal and spatial dimensions. As a symbol of civilization, Yi Jing (Book of Changes) and Tetrahedral Star Merkaba embody humanity's observation of the universe.
2. Plato's Solid Nesting
Plato's solid nesting (Figures 3.55-3.59) allows each regular polyhedron to nest the other four within it, resulting in a total of 20 basic nests. Regardless of how all five Plato solids are nested together, due to different internal and external orders, there are differences in the projection from the plane projecting from the Qianyang pole to the Kunyin pole, leading to differing views on the order of the Five Elements in traditional spiritual science. However, for Taiji MKB as a whole nested outside SRT nine rings projected onto a spherical surface, this SRT nine-ring is precisely the radial projection of tetrahedral star Taiji MKB on a spherical surface; this is also why tetrahedral star Taiji MKB represents the basic structure of universal energy.
Therefore, spherical Taiji MKB (spherical SRT nine-ring Taiji MKB) can be used to unify any form of Plato solid nesting and its planar projections. This includes Plato solid nesting Taiji MKB and Metatron solids. The former is based on reorganizing concepts related to SRT△ structures based on Yin-Yang hexagrams from I Ching into Metatron solids' concept.
Tai Chi Bagua, Tetrahedron Star Merkaba and Hexagram Star have different names but refer to same thing; they have developed more dimensions and aspects such as gua (64/512/4096 gua with 6/9/12 dimensions), cosmic grid life flower based on them as well as their versions transformed into spherical geometry.
Regarding different projection methods for cosmic grid life flower and tai chi MKBs provide us with multi-dimensional understanding.
From perspective of Plato's Solids: one way to distinguish between yin-yang is through triple symmetry shown in Figure 3.57 where various polyhedra can be formed through their own spin (○△ circle triangle, represented by Yin-Yang tetrahedral star Taiji MKB). The second way is to divide the polyhedron into two parts as shown in Figure 3.55 and its explanation, that is, dividing the polyhedron along one of the three continuous orthogonal rings connected by SRT dimensional hexagrams on the outer sphere. If it is divided along R-dimensional hexagram (red), then it will form Yang gua Qian Dui Li Zhen and Yin gua Xun Kan Gen Kun of Pre-Heaven Bagua; if a cube is divided into two parts using this method, it will become ○□ circle square (see Figure 3.55 explanation and cutting a cube into two with Tetrahedron Star Taiji MKB). If yin-yang division reaches octahedron level, then it forms two pyramid shapes sharing a square base opposite each other. That is to say: if an octahedron's eight trigrams are cut according to R2 hexagram (red), then they form pre-heaven yang-yin gua; if cut according to S3 hexagram (white), they form yang-gua Qian Dui Kan Xun and yin-gua Gen Kun Li Zhen; if cut according to T1 hexagram(black), they form yang-gua Qian Gen Kan Li and yin-gua Kun Zhen Xun Dui.
The sequence of Eight Palaces in Jing Fang corresponds exactly but inversely with Pre-Heaven Eight Gua sequence on Taiji MKB ball as mirror symmetry relationship between clockwise rotation and counterclockwise rotation(see Figure 3.11) indicating that both come from same source but represent positive-negative aspects respectively.
Using the example of Jing Fang's Eight Palaces, the inner and outer layers of the eight trigrams reflect a nested relationship between a hexahedron, tetrahedral stars, and an octahedron. Since the hexahedron and tetrahedral stars can be interchanged with each other, it is as if there is an octahedron nested inside either the hexahedron or tetrahedral star while the yin-yang tetrahedra surround this octahedron. The outer layer (Eight Palaces) represents SRT Tetrahedral Stars Tai Chi MKB that rotates clockwise or counterclockwise depending on whether it judges yin or yang. The inner layer (Palace Inner Eight Trigrams) represents SRT Octahedral Eight Trigrams that are divided and judged in a clockwise or counterclockwise manner.
Jing Fang's method reflects the nested relationship between hexahedrons, tetrahedral stars, and octahedrons through its inner and outer trigram sequences. On the other hand, multiplying upper and lower trigrams according to Book of Silk 64 Hexagrams reflects relationships between tetrahedral stars and their primary/secondary four central meridians from a geometric perspective.
Similarly, if Jing Fang's Eight Palaces 64 Hexagrams were formed using Tian Gan 64 Hexagrams instead of his own method, then multiplying eight trigrams within each palace would result in complete mirror-image correspondence with Book of Silk Tian Gan 64 Hexagrams. In fact, Jing Fang's Tian Gan 64 Hexagrams are identical to those represented by his Eight Palace World Souls; world souls describe this geometric structure of 64 hexagrams from a point-line-surface-solid perspective (Figure 3.21).
Therefore spinning and dividing directly explore dynamic changes in polyhedral gua while projection and unfolding observe static aspects in two dimensions for polyhedral gua. Figure 3.59's Platonic solid nested Tai Chi Merkaba is a spinning plane projection, while Hanshan Jade Tablet(Guizang Yi) and Lian Shan Yi may be projections and unfoldings of octahedral gua.
The above considers the four, six, eight regular polyhedra and I Ching as one based on the concept of Tai Chi MKB. The other two 12- and 20-sided polyhedra correspond to SRT Octahedral Eight Trigrams' edges with six sides each as shown in Figures 3.7 and 3.56 respectively; considering Yin-Yang triple symmetry (spinning the twelve- or twenty-sided polyhedron) as shown in Figure 3.57 results in SRT dimensional hexagrams appearing at the center of each face of a regular hexahedron forming a cross shape that coincides with projections of SRT dimensional trigrams on an octahedron's edges.
Therefore, Tetrahedral Stars Tai Chi MKB represents SRT Eight Trigrams for four-, six-, and eight-faced polyhedra while its representation for SRT Octahedral Eight Trigrams includes those for twelve- or twenty-faced polyhedra; five Platonic solids nested together are represented by Figures 3.58 and 3.59 as one entity.
Figure 3.55 shows how a hexahedron can be used to nest four other polyhedra, and the hexahedron can be substituted with a tetrahedral star. Refer to Figures 3.48-3.52, where the 3D octahedral tetrahedral star Tai Chi MKB develops into the 6D64 Gua, 9D512 Gua, and 12D4096 Gua; observing their changes in their projections onto three dimensions reveals that the original tetrahedral star's outer structure gradually approaches that of a regular hexahedron. In other words, high-dimensional Tai Chi MKBs tend towards hexahedrons while low-dimensional ones tend towards tetrahedral stars. The solid model of the projection onto three dimensions of the Tai Chi MKB for the 6D64 Gua in Figures 3.12-3.15 clearly illustrates this change.
This is why it is necessary to use a hexahedron to combine all polyhedra (i.e., six-sided figures with four, eight, twelve or twenty faces). From the perspective of Tai Chi MKB, one could describe it as both being different projections on different planes of existence from either a three-dimensional hexahedron or a tetrahedral star.
Furthermore, when observing together Tetrahedral Star Tai Chi MKB with Hexagonal Prism and Octagonal Prism respectively: each side corresponds to one SRT color (white-red-black) which are mutually orthogonal; Three mutually orthogonal bisecting lines correspondingly divide Hexagonal Prism into eight parts such that R-dimension Yao (red) divides it into two halves according to Qian-Dui-Li-Zhen-Yang-Kan-Xun-Gen order - i.e., dividing them according to pre-heavenly gua; On an Octagonal prism there are two opposite pyramid shapes formed by these eight parts. Thus, the Book of Silk Gua is an observation of the Yin-Yang Tetrahedral Star Tai Chi MKB while the Zhouyi Pre-Heavenly and Post-Heavenly Gua are observations of dividing Yin-Yang Hexahedron (Figure 3.11) into two halves according to R-dimension Yao (red).
Figure 3.56: From the perspective of Tetrahedral Star Tai Chi MKB, each side of a dodecahedron or an icosahedron corresponds to one SRT color (white-red-black) which are mutually orthogonal; for tetrahedrons and octahedrons, white-red-black SRT dimensions correspond to each side respectively; for hexahedrons, they correspond to opposite diagonal lines on each face. Therefore, all polyhedral gua's SRT dimensions in any form can be unified and represented on a spherical projection of Tetrahedral Star Tai Chi MKB (Figures 3.31, 3.33 & 3.34).
Figure 3.57: Shows that triple symmetry in polyhedra is achieved by projecting Qian-Yang extreme C onto Kun-Yin extreme C plane view (i.e., using Tai Chi MKB method on Flower-of-Life grid). This figure represents both yin and yang aspects of triple symmetry in various polyhedra through Yang-gua-yang-tetrahedron and Yin-gua-yin-tetrahedron.
If we disregard yin-yang considerations and rotate the central axis C above corresponding oblique △ or Y direction for both dodecahedra and icosahehdra until they become regular shapes then it becomes Metatron's Cube - this is where Platonian solid nesting with Tai Chi MKBs differs significantly from Metatron's Cube as explained further in Figure 3.58.
Figure 3.58: The entire nesting can be unified with the spherical ring Tai Chi MKB and Metatron solid or other forms of Platonic solids nesting. The nesting of 6(4(8)) and 6(12,20) is equivalent to 6(4,8,12,20). There are more obvious differences in the arrangement of the 20 and 12-faced polyhedrons between the Tai Chi MKB and Metatron solid nested Platonic solids. The former considers the unity of SRT three-dimensional hexagrams (represented by the spherical nine-ring Tai Chi MKB), while the latter completely disregards SRT three-dimensional hexagrams and rotates the 20 and 12-faced polyhedrons to achieve consistency in two-dimensional projection as shown in Figure 3.57. That is to say, if Metatron's solid considers unity with SRT three-dimensional hexagrams, then the 20 and 12-faced polyhedrons will follow a triple symmetry method as shown in Figure 3.57 plus yin-yang symmetry; thus Metatron's solid will transform into a Platonic solid-nested Tai Chi Merkaba.
This explains that Sacred Geometry Flower of Life, I Ching (易卦), Yoga SRT△'s cosmic grid are different aspects of one entity; if we restore them based on Tai Chi MKB concept for unification, we can have a more comprehensive understanding of the universe. Therefore it can be said that "Platonic Solid-Nested Tai Chi Merkaba" is based on I Ching's SRT△ structure which reorganizes Metatron's solid; or conversely speaking,"Metatron Solid" like "Tetrahedron Star Tai Chi MKB" are both simplified versions of "Platonic Solid-Nested Tai Chi Merkaba"(see Figure3.59 for explanation).
Figure 3.59: The entire Tai Chi MKB sphere is centered on the Qian-Kun line as the central axis, and the center point (the common center of the sphere and all regular polyhedrons) is Tai Chi F# (Qian-Kun at two poles in diameter's central axis, Tai Chi at the center). The simplified version of it is Tetrahedron Star Tai Chi MKB.
The SRT continuous three-ring is the spherical projection of the eight-sided polyhedron of the F heart chakra wind element scale, with each side (12 sides) representing an SRT. These three rings are mutually orthogonal and divide the Tai Chi MKB sphere into eight quadrants, with each quadrant having a three-dimensional SRT hexagram.
The energy represented by the heart chakra wind element (qi, energy), including heart energy and physical energy, is also where Dan resides in general Tai Chi theory and Tai Chi MKB. It is the middle state between yin and yang and according to MV theory and Tai Chi MKB it is F# inherent nature MV Tai Chi center Dan. When this positive octahedron representing the heart extends outwardly, it produces a tetrahedral star octagon that represents the three-dimensional material world. The six-dimensional 64-gua Tai Chi MKB within this 3D tetrahedral star tai chi further demonstrates how mind-body operate together as one entity. Therefore, while positive octahedrons represent hidden potential for mind-body power; tetrahedral stars demonstrate visible manifestation of such power through their operation in six dimensions.
Hidden potential energies exist in neutral tai chi positions within chaos as Yin (represented by various levels of Samadhi meditation). Visible energies move back-and-forth between yin-yang poles towards low entropy to create all things through flow of energy. Hidden potentials cannot coexist with visible ones...hidden-visible-hidden...they alternate sequentially forward which reflects movement patterns for space-time reality - mv (+mv) matter +mv (-mv) mind; its initial appearance seems continuous on macro level but not so on micro level (i.e., five elements' empty space or mv vacuum).
When reversing projection sequence from outside inwardly: one ring can form a circular surface or spin into two-dimensional spherical surfaces or multiple rings (3-rings/9-rings) that construct a spherical surface. Two-dimensional circular surfaces spin or project into three-dimensional spheres, and multiple one-ring structures on the spherical surface (i.e., Tai Chi MKB 9-rings) are projected onto five Platonic solids within the sphere. We think we live in a three-dimensional world, but actually we exist only in two dimensions - living in our own projected illusionary world; or better yet, we are a Maya transformation of the universe. However, from our perspective as relative beings, there is holographic relationship between faces; similarly between points-lines-faces and points-spheres.
This is how Wuji transforms into Tai Chi (point), which generates Liangyi (one-dimension line/chord/ring), then Si Xiang (two-dimensional circular/spherical surfaces), followed by Ba Gua (three-dimensional polyhedron). Another common nesting pattern for Platonic solids is 12(6(4(8(20)) representing space-earth-fire-wind-water elements respectively. Since 12/20 polyhedrons are mutually dual to each other: outside of 12-polyhedron can form an even larger 20-polyhedron while inside of 20-polyhedron can contain an even smaller 12-polyhedron...resulting in infinite nesting sequence such as ...12(6(4(8(20)(... This same pattern also applies to six/eight-faced polyhedral nesting sequence where both outermost and innermost shells are mutually dual to each other; however self-dual four-faced tetrahedra cannot form similar infinite sequences like above mentioned patterns due to its unique properties.
Self-dual tetrahedra have their own special infinite nested sequences which will be discussed later among other infinite sequences. Self-dual tetrahedra combine with six-faced polyhedral through mutual substitution creating stable existence field for matter within three dimensional space. This forms the 6(4,8,12,20) Tai Chi MKB nested Platonic solids sequence with tetrahedral star tai chi as its representative. Compared to other finite sequences that simultaneously nest four polyhedra (i.e., 4/8/12/20), this particular sequence is based on our current life form existing in a three-dimensional material space; when we transform into another life form, the original finite sequence will also change accordingly. For example: "Tian Ren" - a life form consisting only of fire-wind-space elements - requires only nesting structures of four/eight/twelve polyhedra for energy geometry.
Figure 3.60: Taking the Qian Gua as an example, from the 3rd dimension to the inner 6th, 9th and 12th dimensions. From the perspective of hexagrams, integer multiples of three dimensions provide a stable existence field for matter, meaning that material existence can continue for at least one Planck time. This is also the initial manifestation of space-time entities in three-dimensional space. The SRT trigram can be divided into yin and yang halves, resulting in eight hexagrams (2³=8). Similarly, integer multiples of three dimensions such as the third, sixth, ninth and twelfth dimensions can have stable yin-yang pairs so that matter can exist continuously or at least exist for one Planck time through cycles of birth and death. Non-integer multiple dimensions like four-dimensional hexagram #16 are unstable fields beyond SRT's three forces; they require an additional force which causes instability in their yin-yang pairs. Therefore non-integer dimensional spaces cannot provide complete five elements (earth-water-fire-wind-space) for matter; only life forms like celestial beings (which possess only fire-wind-space elements) can exist there.
These non-integer dimensional spaces are sometimes classified as intermediate states between Yin and Yang; they become realms where ghosts, gods or spirits reside in close proximity to our world within less-stable fields relative to integer-multiple dimensional spaces - i.e., with more obvious fluctuations similar to quantum states observed on a microscopic level.
As for infinite sequences being unstable fields - they do not manifest themselves as tangible worlds but rather remain purely conceptual ideas representing centrifugal stages during universe BC cycles while finite sequences represent centripetal stages. In terms of Yi-gua sequence theory: Infinite sequence BC represents pre-heaven gua order where each trigram becomes a hexagram via TRS combination forming all eight guas simultaneously at alpha-beginning point of material universe. This alpha-point is also the starting point for finite sequence's centripetal stage, represented by Taiji MKB in Yi-gua order where each trigram becomes a hexagram via SRT combination forming Qian-Kun first and then Gen-Dui before ending with Kan-Li-Zhen-Xun (for differences between pre-heaven and silk manuscript gua orders see Figure 3.8).
Other infinite sequences can be nested arbitrarily inside or outside five-element groups within pure conceptual realms representing infinite possibilities. A particularly special example is the self-dual infinite sequence nesting of tetrahedrons to form a tetrahedral star; one such star can infinitely nest itself both inwardly and outwardly, containing all possible Platonic solid forms according to its spherical ring Taiji MKB. In terms of dimensions, this creates an infinite sequence...12-9-6-3-6-9-12...from three-dimensional space outwards towards twelve dimensions - where 12D mirrors 3D while 6th and 9th dimensions mirror each other as well.
The self-duality of tetrahedral stars represents "light" (fire element) being simultaneously itself and its opposite - a phenomenon known as same-opposite manifestation (see Figure 2.6). In physics, particles annihilate their antiparticles into "light," which has zero mass but travels at light speed C; thus "light" becomes a barrier or interface between three-dimensional space and higher dimensional spaces. The infinite sequence nesting of tetrahedral stars' Taiji MKB represents how "light" can travel through different dimensions: relative to three-dimensional space, light in higher dimensional spaces has greater speeds than C and manifests not only as physical light but also non-material phenomena.
Figure 3.61: The veins of the manifest universe and the emptiness of its essence are intertwined, such that in the present moment, time and space are inseparable. This is because they originate from the true nature of one's own inherent beingness within the Middle Way, which is guided by Dharma-nature. The merkaba sphere connects various levels of universal grids through a central axis vein between 3 and 6, and a dual-directional connection between 9 and 12 to form a bi-directional time-space hourglass shape. In this world, four-dimensional spacetime consists of three dimensions of space plus one dimension of time (1st-3rd dimensions + central axis), while in another world it consists of three dimensions of time plus one dimension of space (i.e., three-dimensional grid with an additional fourth dimension as central axis). These two worlds mirror each other through their "heart," where the first dimension (time) in this world is connected to the first spatial dimension in that world via their respective central axes or veins.
In terms of spatial dimensions, this world has a three-dimensional grid consisting eight trigrams while that other world has six-dimensional grid consisting sixty-four hexagrams as understood by this world; both are interconnected by basic paths formed along their respective veins connecting them across different dimensional planes. For instance, for this world's three-dimensional grid system, that other six-dimensional universe recognizes its single-dimensioned vein as four-dimensioned space-time with its third temporal dimension recognized as a blockage or obstruction within it; thus these two worlds balance each other out using their common heart point -the first dimensional vein- to connect their respective blocks together into parallel universes where everything appears identical despite being separate entities.
If we take our original four-dimensional spacetime from our three-dimensional grid system into another six-dimensioned universe via our central axis vein line then what was once our three-dimensional physical space transforms into a non-linear three-dimensional temporal block while the first dimension of time becomes one dimensional space. As previously mentioned, this one-dimensional space is recognized by our three-dimensional grid system as four-dimensioned space; thus, the result is that the consciousness and awareness of this world's three-dimensional grid system are freed from their linear temporal sequence (arrow of time) and can operate freely within that other six-dimensional universe's three-dimensional temporal block. However, physical bodies become limited to existing only in a single dimension of space within that other six-dimensioned universe.
All these phenomena are part of the illusionary nature or maya of spacetime where central axis veins remain unchanged amidst all transformations. One can imagine two parallel mirrored universes with different dimensions interlocking through various nodes formed along their respective veins at different ratios and directions; overall, such grids exist in 3D, 6D, 9D and 12D depending on their needs. The first dimensional vein represents the initial movement of universal consciousness which is an eternal infinite wavelength -a true straight line- being spirituality's unique path leading back to ultimate reality.
From a spacetime perspective then two mutually parallel mirrored universes can be connected bi-directionally via black holes, wormholes or white holes forming a dual-directional hourglass shape (see Figure 4.2 Section II). The basic model for this connection is merkaba sphere with its uni-directional connection being represented by its spherical form (in fact any levelled merkaba system could be viewed as such). These connections' endpoints might either belong to similar hierarchical dimensional grids or dissimilar ones; theoretically speaking they follow...12┊3 ─ 6┊9 ─ 12┊3…sequence where spatial-temporal hourglasses exist physically between third and sixth dimensions but virtually between ninth and twelfth dimensions.
The fundamental root of the third dimension is a material point which approximates universal consciousness while that of the twelfth dimension is an ultimate point which approximates universal conscious essence. Rather than saying that these two dimensions are separated by 6D and 9D grids, it would be more accurate to say they overlap each other facing towards 6D and 9D universes respectively; when viewed from this perspective, they appear as if one entity with three-dimensional properties in front of the sixth dimensional universe's consciousness field and twelve-dimensional properties in front of ninth dimensional universe's consciousness field. A similar relationship exists between six- and nine-dimensions where △R dominates over △T/△S.
If we assume that every dimensional grid system can be represented by a merkaba sphere then all four spheres (3D, 6D, 9D and12 D) could be connected via their central axis veins forming an overall universal merkaba sphere with its center being at the twelfth dimension while its surface touches our three-dimensional world at Planck scale -the starting point for α-matter within this universe-. Although referred to as a touchpoint
We are an existing world that has converged and formed within the infinite possibilities of universal consciousness. A finite sequence is essentially a fixed point in an infinite sequence, so we gain position but lose speed, resulting in being limited to the 3-dimensional world and the speed of light C, forming our existence in the 4-dimensional spacetime body. Conversely, when we gain speed but lose position, it means that our existence is only "light" (similar to the non-material "light body" of celestial beings without heavy elements), rather than having a physical body made up of five elements89 as commonly understood. Simply put, this occurs during temporary separation of mind and body such as death or static meditative states.
Understanding that "light" is the initial manifestation of life in space-time allows us to observe, contemplate and understand ourselves and the universe.
Returning to fundamentals, from a Tai Chi Merkaba energy geometry perspective on cosmic formative processes; everything consists of eternal circular universal consciousness and constantly changing SRT△ universal forces. The exchange between tetrahedron star MKB and hexahedron cube within Plato's solid can also be described as ○and □ at times with its most representative example being Merkaba's flower-of-life composed by circles-and-triangles while Yi Jing's circle-and-square represents another aspect. In fact there are squares within circles-and-triangles just like triangles within circle-and-squares; depending on one’s perspective both complement each other like yin-yang representing creation’s source - ultimate cosmic ontology/Dao/truth/God - hence using spherical (ring) Tai Chi MKB unifies various forms embedded into Plato solids.
Section 4: Hyperlink beyond Civilizations
The Eight Trigrams are a symbol of ancient Chinese civilization, much like the pyramids were to ancient Egypt. Both use geometric patterns to connect the relationship between heaven, earth and humanity. The pyramids were built on the ground while the Eight Trigrams are held in one's hand. In contrast, ancient Indian civilization communicated with phenomena and spiritual worlds through yantra and mandala geometric symbols under the evolution of cosmic consciousness and its attributes of cosmic power - yue (pleasure), bian (change) and duo (inertia). These three represent the three main aspects of human civilization: material belonging to Earth, spirituality belonging to Heaven, and mental belonging to humans. They are interconnected as a whole yet evolve together just like Yi Jing's trigrams or SRT△ or sacred geometry.
Going back to their origins, geometry is not only fundamental structure for space-time but also a common language among civilizations including communication between different civilizations within Earth as well as extraterrestrial ones. Geometry is both logical science and spiritual intuition that manifests itself in dynamic life-space coordinates consisting of three states of life - waking state, dream state, sleep state - along with three stages of life - birth stage, human stage and death stage; further establishing based on SRT△: Yi Jing trigram; Sacred Geometry Flower Of Life; BC Universe Evolution Cycle.
Figure 3.62 shows that there are three states in life – awake state，dreaming state，and sleeping state which form spatial axis s.
There are also three stages in life – birth stage，human stage，and death stage which form time axis t.
In mythology legends,Fuxi who made Eight Trigrams was born in Chengji,Liangxi(today’s Tianshui,Gansu Province).It was first recorded after Warring States period.He was also called Mi Xi,Pao Xi,Bao Xi,Xi Huang,Huang Xi and Tai Hao.Fuxi was listed as the first of the three ancient emperors (Fuxi, Shennong, Huangdi), also known as the Emperor of Heaven. In mythology, he and Nüwa were both snake-bodied with human heads. The two snakes intertwined like a double helix DNA. They bred offspring to become the ancestors of humans90. Fuxi observed celestial phenomena when looking up at heaven and studied terrestrial laws when looking down on earth; he learned from birds' writings and animals' tracks along with land's suitability for crops; he made Eight Trigrams to communicate divine virtues while resembling all things in nature. He also created fishing nets to teach hunting skills, wrote contracts to replace ropes, and established marriage systems.
As a source of Chinese civilization myths,Fuxi and Nüwa represent a microcosm of human civilization in late Paleolithic period.It was during this time that ended ice age,and atmospheric circulation began its spring return.Humans awakened from their cold winter slumber just like other creatures.Civilization had an opportunity for rebirth.In Earth's 4.5 billion-year history,it has experienced five major glaciations over 2.4 billion years.The most recent one started 2.58 million years ago until now.During this period,multiple glacial periods alternated with warmer interglacial periods.Our current civilization is in an interglacial period after the last ice age ended 12 thousand years ago.Almost all mythological figures directly related to our current civilization appeared during this time.They may have indirectly inherited important information and memories from previous civilizations(the latest being Atlantis).Just like reincarnation or waking up from sleep,you still carry some memories from your past life into your present life.These memories may be somewhat vague or dreamlike91,but they are still an indispensable part of your lifelong journey.When you understand the true history within your vast space-time,you can live more clearly in the real world.
Compared to Fuxi(伏羲) representing the beginning of human civilization and focusing on real-life issues, Indian religious mythology established a grand divine system that explained the creation and evolution of the universe. The three-in-one main gods (Trimurti) in Indian mythology: Brahma (creator), Vishnu (operator), and Shiva (destroyer) correspond to GOD's Generator, Operator, Destroyer. Among them, Brahma is the embodiment of universal consciousness - an intangible entity that represents ultimate reality. He was self-born out of nothingness from within a cosmic golden egg floating in chaotic waters or born from Visnu's navel; while remaining parts of this egg expanded into space. Brahma has four heads with four faces like Huangdi who also had four faces representing spatial quadrants. The image of Four-faced God92 for both Brahma and Huangdi(黃帝) reflects collective consciousness' intuitive understanding93 towards space.
Visnu, also known as Vishnu, is the god who maintains order in the universe and protects life. He sleeps on a coiled serpent and floats in the cosmic ocean. When he wakes up from his slumber, Brahma is born from his navel and begins to create. After one cycle of creation, Shiva destroys the world. The universe cycles between Visnu's sleep and wakefulness.
Shiva is the god of destruction and renewal. His symbol is linga, representing male genitalia which signifies reproduction. He is also known as the god of dance, holding a drum-shaped like an hourglass in his right hand symbolizing life while holding flames in his left hand signifying destruction. Shiva possesses both creative and destructive powers; thus, dancing represents eternal movement within the universe.
The end of the old is the beginning of the new. In the cycle of evolution in the BC universe, when the originally balanced SRT△ becomes unbalanced, a pleasurable force arises and begins the centrifugal movement of universal evolution. When this pleasurable force ends, a transformative force arises; when this transformative force ends, an inertial force arises. When this inertial force reaches its peak, the centrifugal movement stops and prepares to transform into centripetal movement - just like reaching the end of inhalation before exhaling again. At that moment of stillness between inhalation and exhalation, the great cosmic consciousness evolved from universe awareness projects its thoughts onto spiritual matter as a virtual image94 that it perceives as real. This is how material existence began - with what's known in BC as "Liunga,"96 or "Material point" 95- which marks both an end to one centrifugal phase and a beginning to another centripetal phase. Thus was created material existence: as part of a return journey towards oneness with universal consciousness itself.
The drumbeat of Shiva reveals frequencies within cosmic vibrations that exist in dynamic balance between yin and yang forces; amid constant cycles between life and death through ceaseless dance movements, universal life continues to progress eternally forward.
Returning from the realm of gods to the human perspective, we can observe the interconnection between science philosophy (clarity, consciousness), mythology (dreaming, subconsciousness), and religion (slumber, unconsciousness97) in relation to civilization, individuals and the universe on a dynamic spatiotemporal coordinate system composed of three states of life and three stages of existence mentioned above.
Mythology essentially reflects collective unconsciousness dreamscape revealing multiple facets across different civilizations about universal themes rooted in real historical events whose spiritual significance transcends time-space continuum beyond past-present-future tense limitations since history can be reversible multidimensionally depending on present collective conscious choices shaped by irreversible experiences resulting in ongoing collective dreamscape where each person is their own dream interpreter.
P.R. Sarkar, who introduced BC evolution theory & microvita concept, unveiled the mystery of religious mythology by identifying Shiva98 as a saintly king who initiated civilization 7,000 years ago and founded esoteric science known as Tantra whose essence lies in spiritual practice (Sadhana) that liberates individuals from inertial ignorance while expanding consciousness through scientific process of expansion. When individual connects with universal consciousness & entity, mind expands beyond cosmic forces' limitations leading to liberation from all bondage.
As founder of spiritual intuition science, Shiva also invented eight-tone scale99 along with songs, instruments & dance forming music reflecting harmonious resonance between human beings and universe possessing profound spiritual significance. In terms of social development, Shiva established marriage system similar to Fuxi's invention marking an important step towards human civilization surpassing various societal-geographical constraints. During the time when Aryans entered India 7k years ago amidst conflicts between Aryan/non-Aryan people; Shiva conceived ideas based on spirituality transcending divisive mentality.
The pursuit of spiritual liberation, equality and unity in reality, and the oneness of heaven and man seem to be a common dream of humanity. Mythical figures, whether real or not, are essentially the first step towards realizing this dream.
Shiva may have the same etymology as Chi Huang, Huang Yi, Fu Xi. When Shiva is pronounced backwards it becomes Fu Xi. This kind of situation is not uncommon in language evolution. They are also given roles as creators of civilization systems. The Yi Jing created by Fu Xi has the same geometric structure100as the sacred geometry flower of life created by Thoth, who is said to be a god of learning and measurement in ancient Egypt. Therefore, there exists an ideological super-civilization connection between mythical figures such as Fu Xi, Shiva and Thoth called "SRT△ Universe Grid Flower of Life Taiji Merkaba".
There are many similar storylines among various creation myths for possible reasons:
1) People share similar thoughts which reflect basic prototypes rooted in universal consciousness and individual consciousness that describe spatial geometry at their most primitive level; they evolved from more primitive totem symbols into religious spiritual symbols within human society before finally becoming gods with human images.
2)In ancient times, it is possible that civilizations had a common origin, so the idea of "Great Unity" has always existed in the deep memory of genetic genes. The similar phenomena in myths are the overall expression of human genes.
3) If humans originated from genetic modification by extraterrestrial civilizations using genetic technology on primates on Earth then it's possible that these extraterrestrial civilizations' knowledge system about the universe was embedded into human genes along with time sequence development settings so that creation myths 10 thousand years ago were part of a sequence leading up to modern scientific cosmology theories 10 thousand years later; both exhibit different aspects related to one thing in mental worlds.
4) Different cultural versions projected from identical universal prototypes like projecting three-dimensional objects onto two-dimensional planes with varying degrees or angles.
Everything represents diverse projections based on ultimate prototype concepts existing within reality world through processes involving Consciousness → Thought → Geometry → Form → Image → Reality where materiality is the ultimate expression of reality. The fundamental material point and supreme point101 of relative consciousness are essentially identical, representing the beginning and end points of a universal wave for undifferentiated universal consciousness; any point is both a starting and ending point in a cyclical path. For individual consciousness with differentiation, its focus is on the present moment where mind and matter are one entity without time or space boundaries which tends to be more microcosmic in nature. If this microcosmic nature passes through fractal resonance via spatial geometry structures into human observation fields from small universes to large ones then individual minds gradually merge into universal minds leading to active102 return of individual consciousness back to universal consciousness103 - true awakening that represents an accelerating centripetal movement within BC universe cycles or classical spiritual practice.
Geometry is an important transformation process from intangible worlds without form or substance into tangible worlds with form and substance involving mv (+mv) intersection between mind+mv (-mv) and matter-mv neutral interface; Taiji MKB light body describes dynamic self-rotation within this neutral mv geometry exhibited as light bodies, spirit bodies, golden pills, source fields, Divine Matrixes, rainbow lights or information fields across different domains/levels. Spiritual symbols imply hidden/marked geometries serving as tools for communication between humans/heavens beyond physical law restrictions via shared energy-information field domain. In fact we don't really need to transcend some kind of physical world but rather recognize that the true essence of this physical world is spirituality; previously limited only by religion or mysticism but modern science has already stepped foot inside it where science can no longer assume itself purely materialistic since power of mental/spiritual awareness/consciousness force multi-dimensional spacetime beyond our current understanding including human origins/far ancient civilizations/extraterrestrial civilizations/new cosmology views all becoming unavoidable scientific issues.
Science is undergoing qualitative changes heralding new era for spiritual science.
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Note:
Chapter 1: 1-23, Chapter 2: 24-66, Chapter 3: 67-103, Chapter 4:104-116
Chapter 3 Sections 3&4 86-103
86. Yantra is a Sanskrit word that means "tool" or "instrument." Depending on its actual content, it can be a symbol mark, an automatic program or any organized and structured thing. It often appears in various religions of humanity, spiritual exercises and mystical fields as a reliance tool for focusing on spiritual goals and balancing the yin-yang of body and mind. From the concept of "Tao," Yantra is like a vehicle traveling on the "Tao." People reach their destination by controlling the vehicle with full concentration. The simplest form of Yantra is geometry such as Tai Chi, cross, hexagram and character symbols. Yantra links the real world with the supernatural world in geometric ways; therefore it can also be a common communication language between both worlds just like words and languages are related to each other. Similarly if we extend Yantra from cohesion to communication between reality worlds then we have national flags, logos or trademarks which are commonly seen around us. A person who serves as head of state for his country or leader in society or popular culture idol is undoubtedly a human-shaped yantra; idols worshipped in religion whether they are statues or visualizations are also viewed this way.
87.Mandala's expression usually takes the form of a square with T-shaped entrances/exits at all sides containing one circle inside along with center point (Bindu) where there exists yantras' geometric shapes within circles . Mandala is concrete microcosm model if yantras symbolize basic elements of universe then mandalas represent self-organized fractals that expand while being self-similar to these basic elements . Both are similar to relationship between Bagua ,64 Gua ,and higher dimensional Yi Gua. The Bindu point in the center is the Tai Chi center of individual's body or Dan (elixir) location in Taoist alchemy for single chakra Dan ball it is central control point, and for entire material universe it is initial manifestation of Tai Chi which corresponds to physics' alpha starting point or physical point of Tai Chi MKB.
88. Chakras correspond to five major wind elements; Plato's wind element corresponds to regular octahedron nested inside tetrahedral star core.
89.From coarse to fine, the five great earth water fire wind space (solid, liquid, light, gas and ether) are heavy particles(mh), light particles(ml), photons(c), energy(Ec crude energy Ec=mc² ), Planck-mv Es subtle energy , vacuum energy Es(crude/subtle). Neutral mv does not interact with ± .Es is result of high-dimensional spacetime flowing into four-dimensional spacetime and represents physical aspect of Tai Chi. It is also source of cosmic explosion's energy origin as well as background energy in space even if there are no substances present there. This serves as source for four basic forces in physics.Vacuum Energy itself may manifest as universal white hole that accounts for 73% dark matter repulsion force currently observed within universe along with 23% dark matter and 4% normal matter . Beyond normal matter lies another 96%, compared with substance this contains more +mv hidden within -mv i.e., ratio between +mv contained by dark energy -mv (+mv) exceeds that contained by dark matter -mv(+mv); furthermore this ratio far exceeds that found within normal substance -mv(+ mv). Referencing Chapter Two Section Three "Basic Elements Micro-life Shared by Heart-Matter," heart-matter+/- mv yin-yang exist together while their total quantity remains constant but their ratios change; they exist together as a whole while their ratio changes in a yin-yang hidden way. Heart-matter interact with each other through changing ratios.
If matter, antimatter and dark energy are regulated within the material realm then they are phenomena of T△ stage; that is to say, four basic forces in physics can ultimately be unified into T△. If these three are viewed as reflections of substance on substance, mind and consciousness (heart is mirror while matter reflects image from mirror. Consciousness represents all possibilities existing within heart-mirror; our individual hearts converge among infinite possibilities resulting in one outcome), then we can discuss them corresponding to T,R,S.
90. In the Bible, the roles of human ancestors are Adam and Eve. Almost all myths must have legends about the origin of humans. The images of Fu Xi and Nu Wa with snake bodies intertwined like DNA double helixes have appeared in Western Han silk paintings and portrait stones, as if metaphorically implying the existence of DNA. And Fu Xi is also the founder of Yi Jing (Book of Changes), so using 64 hexagrams to understand the structure of DNA may not be just a simple coincidence. In 1973, M.Schonberger's book "The Secret Key to Life: Cosmic Formula, Yi Jing and Genetic Code" first corresponded four bases of DNA with four symbols from two lines in Yi Jing; three bases form one group for a total combination number of 64 amino acids corresponding to 64 hexagrams in Yi Jing. The correspondence between MKB's 27 control points on Cube Tai Chi and Hebrew letters or Sanskrit phonetic roots can also explore genetic codes from a linguistic perspective.
91. Mythology is essentially communication between collective consciousness through dreams between this world and other worlds.
92. Ye Shuxian's "Chinese Mythological Philosophy" focuses on Huangdi facing four directions.
93. The symmetry before and after construction forms basic spatial orientation sense for square directionality: east, south, west, north are four main directions; among them are four corners that form secondary directions; together they make eight directions plus up-down makes ten directions altogether . Upward direction corresponds to cosmic evolution endpoint (supreme point or material universe Ω endpoint) while downward direction corresponds to starting point (material point or material universe α starting point) when considering BC Universe cycle evolution as whole.
94.Materiality is an illusory appearance viewed by consciousness as real under focus which is relatively true reality.We exist within this relative true reality illusionary appearance called Material Universe just like actors performing on stage who, due to being too immersed in their roles (highly focused consciousness), almost live within the play. To them, this play is indeed real.
95. Inhalation stopping at material point and exhalation stopping at supreme point are centrifugal and centripetal forces of cosmic life respectively. In individual life, inhalation marks first breath taken upon birth that stops at heart forming unity between individual's mind and body; while exhalation marks last breath taken before death that stops at universal heart where individual's mind-body separates from each other merging into universe.
96.Liunga represents male genitalia which is a basic symbol for Shiva. Philosophically it refers to occurrence or beginning of all things.Svayambhuliunga corresponds to material point during BC Universe cycle evolution while in human body it corresponds to base chakra as starting point for Kundalini energy represented by Kun hexagram.On the other hand,Shambhuliunga corresponds to supreme point represented by Qian hexagram.
97.When an individual's consciousness returns to the overall universe during sleep without any awareness on his/her part,it is called unconsciousness.In subjective terms,the individual does not exist during such moments.
98.P.R.Sarkar gave a series of brilliant speeches in 1982 revealing Shiva's true nature like interpreting a dream.He compiled these speeches into "Namah Shivaya Shantaya" which was translated into Chinese as "Eternal Shiva-Transcending Time-Space Teachings".
99.Shiva uses seven different sounds made by peacocks,buffaloes,goats,horses(deer),koels,donkeys,and elephants representing eight notes.The musical harmony resonating with cosmic waves through music has profound spiritual significance beyond mere entertainment.Please refer chapter two section Sanskrit phonetic roots.
100.Geometrically speaking,the pyramid shape was widespread throughout the world in ancient times.China’s “Tai”(platform) and the basic form of imperial tombs are also like this, including the Egyptian and Mayan pyramids with a half-regular octahedron as their base and a square pyramid as well as tetrahedrons with triangular bases. Such geometric shapes were commonly used to communicate energy between heaven and earth in human civilization.
101.He=It can be understood as supreme point=material point during BC Brahma Cakra Universe cycle evolution.Universal idealism or materialism is not an issue of universal reality itself but only an issue of "human" idealism and the illusionary appearance created by this mind.The vibration of consciousness between supreme point (material point) creates our perceived world.More completely,it is:supreme point(material point)=material point(supreme point).This situation projects into +mv(-mv)= -mv(+mv) in Microvita.This formula simply shows the relationship between yin-yang.
102.This active awakening consciousness is like lucid dreaming.In reality,this is called spiritual cultivation.
103. This unification represents individual Tai Chi merging with cosmic Tai Chi.
